Showing posts with label Noise. Show all posts

Sunday, December 17, 2017

Regular Shipment


Regular Shipment (Self-Portrait, 2017) - Pandu Hidayat

Wednesday, June 14, 2017

RMX Vol. 1, 2 , 3 by CONTROL-Z


Download

Download

CONTROL-Z - RMX Vol. 1
Kontroljet Records [2012]

CONTROL-Z - RMX Vol.2
Ear Alert Record [2013]

CONTROL-Z - RMX Vol.3

Plastik Notlabel [2014]

Sunday, April 9, 2017

EXPERIMENTAPE

NOISE IS NOT MUSIC.
WE DON'T CREATE NOISE BECAUSE WE WANT MAKE MUSIC.
ALL LIVING THINGS PRODUCE NOISE.
-MAYUKO HINO-

Kontroljet is an experimental noise project by Pandu Hidayat from Java, Indonesia. Also Known as CONTROL-Z (2008-2014). kontroljet.blogspot.com

Friday, March 17, 2017

Kontroljet Discography

Kontroljet

2015 - present

MIXTAPE

MIXMAX (Mixtapeblastingproject, 2015)

UNCONNECTED.8 (Plastik Notlabel, 2017)

SPLIT

Kontroljet / Haiiyuuko - Super Project (Plastik Notlabel, 2015)

Kontroljet / Maryah Marymotto - OIOIOI PHANTASM (Plastik Notlabel, 2015)

Kontroljet / Nakayubi - Hanbun Ni Kill (Plastik Notlabel, 2015)

Kontroljet / J.A.P. - Born, Connected & Making Noise (Plastik Notlabel, 2015)

Theo Nugraha / Kontroljet - DK25 Split W/ Kontroljet (Net Release, 2016)

The Defective Products / Kontroljet – 2 WAY SPLIT (Gerpfast Kolektif, 2016)

Kontroljet With SARANA & Jeritan (Data Imp., 2018)

V/A

The Interviews (SuRRism-Phonoethics, 2015)

BURRRNNN! (Mindblasting Netlabel, 2015)

Noise For Nepal (NFN, 2015)

KONTINGENT II (Kontingent Records, 2015)

The Xmas Compilation (Petroglyph Music, 2015)

INDONOISIA: Indonesian Noise & Experimental Sounds (HNM Records, 2016)

ABSTRACTIONS VOL. 1 (Lurker Bias, 2016)

Noise Against Racism (Blackened Death Records & HNM Records, 2017)

About

Kontroljet is a sound project by Pandu Hidayat, from Java, Indonesia. This project based on experimental music. Focussed on the art of improvisation and fun with live-processing.

Background Information

Project Name: Kontroljet

Also known as: CONTROL-Z (active: 2008-2014)

Member: Pandu Hidayat

Origin: Java, Indonesia

Genre(s): Experimental-Noise, Live Electronics

Style(s): Sound Collage, Cut Up, No Input, etc

Instrument(s): Analog Synthesizer, Stompboxs, Tape, Object, Laptop, Everythings.

Years active: 2015 – present

Label: Plastik Notlabel

Thanks to all the Artists and Labels

Artist(s): Haiiyuuko / Youko Heidy (Tokyo, Japan), Maryah Marymotto (Madrid, Spain), Nakayubi / Naoyuki Hitomi (Tokyo, Japan), J.A.P. (Spain), Theo Nugraha (Borneo), The Defective Products / Togawa aka TGW and Tomoaki Okimoto (Hiroshima, Japan), Uncle METEK (Sweden), SARANA & Jeritan (Samarinda, East Borneo).

Label(s): SuRRism-Phonoethics (Frankfurt, Germany), Mindblasting Netlabel (Yogyakarta), Noise For Nepal, Kontingent Records (Sofia, Bulgaria), Petroglyph Music (Norway), Gerpfast Kolektif (Malang), HNM Records (UK), Lurker Bias (Chicago, Illinois), Data Imp. (Indonesia)

Wednesday, June 22, 2016

(dis)PERSE Dispatch Episode #245

This week's episode of (dis)PERSE Dispatch features tracks by Rachel's & Matmos, Tetsuya Hori, Roger Sundtrom, Milton Delugg, Ruby My Dear, Placement, Ottmat Liebert, Robert Rich & Ian Body, Pandu Hidayat, Nation of Clang, Pete Namlook, MOSKAR3, Ray Conniff Singers, Portion Control, Jan Garbarek & the Hilliard Ensemble, Holy Filament, and Indo.

(dis)PERSE Dispatch is a weekly broadcast on DFM RTV, Netherlands produced and hosted by Alan Herrick of Auricular Records. Offerings include ambient, experimental, noise, soundart, shoegaze, glitch and difficult music as well as explorations of some of the latest offerings from netlabels and some rare archival material

Published October 1, 2015

streaming & Download via IA

Thursday, March 10, 2016

Pandu Hidayat - VOLUME

VOLUME I Download

VOLUME II Download

VOLUME III Download

Pandu Hidayat - Volume EP

01.Manusia=Machine

02.Fragmen Kematian Satu

03.Fragmen Kematian Dua

04.Kisah Sang Rebab

05.Dehidrasi Stadium Akhir

all tracks by Pandu Hidayat

Self-Releases 2008

Download

Plastik Notlabel’s Catalog [PNC-001]

Tape Safe [TaSe-95]

April 12th, 2015

Stream & Download

Pandu Hidayat - Volume II | Live 2008-2010
01 Fiction | 2008
02 Cermin Berkarat No. 2 | 2009

Volume II contains live recordings from 2008 to 2010 period. Sounds and structures from Eastern musical traditions overlap with digital noise in a clash of subtle balance between empty and full. Pandu Hidayat with the support of other artists and with a massive use of an experimental equipment not exactly traditional like phone cellulars, toys, voice-overs and various samples, exports the Indonesian experimental art breaking down geographic border.

http://www.nostressnetlabel.com
http://pndhd.blogspot.com
CC License: BY-NC-ND 3.0
(Live 2008-2010)

DOWNLOAD

Plastik Notlabel’s Catalog [PNC-010]

Pandu Hidayat - Volume III

"Volume III" is the kind of album that improves with patience. At first, it might seem impenetrable and intentionally dense, but upon closer examination, Mr. Hidayat’s skewed talents start to become apparent. This is extreme experimental noisy expression that also succeeds as an involved listening experience. Pandu is like a mad scientist who doesn’t allow his creations to venture too far beyond his control, and his strength lies in the fact that his "alchemy" does not fit easily into any single style, taking bits and pieces and molding them into something very personal, poetic, visionary, fascinating and unique.

Music Composed & Produced by Pandu Hidayat

Artist: Pandu Hidayat (Kontroljet)

Album: Volume III

Length: 41:51 Minutes

Period: 2013 - 2015

Origin: Java, Indonesia

Label: Hortus Conclusus Records

Release Date: 19 - 01 - 2016

Equipment(s): Analog Synth, Laptops, Voice, Contact Mic, Strings, Objects, FM Radio, Stompboxs, Tape-MC30, Sample(s)

Files: MP3 320Kbps

Artwork: Pandu Hidayat with Original Picture by Metro Doc.

License: CC-BY-NC-SA

Description of the tracks:

01 Purgatory Flesh (22:22)

'Purgatory Flesh' is an audio-playback / OST for Aizen Kaguya & Marica Innocente's Performance - Live at The Flying Dutchman, 156 Wells Way, SE5 7SY London - UK (June 11th, 2015)

02 Pulang (14:41)

‘Pulang: Paris As Viewed From Jakarta’ its about Light, Sound, Decoding, Emotion, Direct Interpretation and Improvisation

Live Studio Session Featuring Atieq SS Listyowati (Indonesian Poetess) - Bouitenzorg, Indonesia (October 16th, 2014)

03 Le Métro Intro (04:48)

Part of ‘Le Métro’ a Collaboration Project: Puppet Show & Audiovisual Performance Live Improvisation at Institut Français d'Indonésie - Centre de Surabaya, Indonesia (November 22th, 2013)

LINKS:

pndhd.blogspot.com

plastiknotlabel.blogspot.com

DOWNLOAD

***

PNC-046

Monday, February 23, 2015

F E < M A L E F O U

Fe<MAle Fou At Eyedrum Art & Music Gallery

Seperti sebuah delay yang datang terlambat, begitupun dengan keterlambatan postingan interview ini. Tapi tidak ada kata terlambat untuk sesuatu yag menurut kita positif. Baiklah, saya akan memperkenalkan sebuah proyek musik eksperimental yang di motori oleh Filomena Rubino, yang di akhir tahun 2014 kemarin merilis full album keduanya bertajuk “Sucker Mule’s Dreadful Murder” dalam format piringan hitam di bawah naungan Suitcase Recordings. Proyek eksperimental ini dikenal dengan nama Fe<Male Fou, nama yang sangat unik dan mengandung isu gender secara simbolis. Paling tidak simbol tersebut menjadi ketertarikan saya pada sebuah nama, kemudian menjadi pemicu untuk lebih mengenal, dan pada akhirnya kami mulai berteman dan berdiskusi ringan di jejaring sosial sejak dua tahun silam dimana Fe<Male Fou belum lama di bentuk. Sejak saat itu saya melihat bahwa Filomena memiliki karakter yang kuat dengan project musiknya. Dan ekspektasi saya terbayar oleh “Sucker Mule’s Dreadful Murder”.

Eksperimen adalah kata kunci ketika mendengar, melihat aksi panggung dan imej yang ditampilkan oleh Fe<Male Fou. Instrumentasi seperti gitar, vokal, stompbox dan berbagai objek yang digunakan sebagai media penyampaian bunyi diperlakukan selayaknya, tidak berlebihan dan mampu menghasilkan karakter sound yang tajam, tegas, sekaligus membius. Dengung frekuensi dengan texture kasar dan terus menerus akan kita dengar pada kebanyakan komposisi, namun tidak seperti drone project pada umumnya yang cenderung statis dalam soal komposisi, Fe<Male Fou selalu memunculkan klimaks pada setiap komposisinya. Fe<Male Fou berimprovisasi di bawah koridor yang telah ditetapkan, kalimat-kalimat absurd membayang-bayang di antara raungan gitar membentuk sound cluster yang pada akhirnya kita maknai sebagai bentuk komposisi atonal.

Terkadang Filomena memetik gitarnya sekaligus memainkan riff-riff sederhana, statis dalam balutan lo-fi sound, namun ini hanyalah buaian mimpi sekejap. Karena pada detik berikutnya nuansa akan berubah getir melalui caranya berimprovisasi untuk menimbulkan noise. Cenderung kasar dengan peralihan yang mengejutkan secara sporadis. Kental dengan nuansa industrial, Fe<Male Fou memberikan sebuah alternatif baru dalam wilayah musik eksperimental dengan karyanya. Membuktikan pada kita semua bahwa Itali selalu melahirkan individu avantgarde yang unik dari masa ke masa dengan karakteristik tersendiri. Mari kita simak beberapa pertanyaan yang saya ajukan di akhir tahun lalu paska rilisnya “Sucker Mule’s Dreadful Murder”.

Tell me about your project and kind of your musical genre

Fe<Male Fou is a female solo project born in Italy in 2013. Like i always used to say, my musical genre it's difficult to explain.

My sound comes from loud and atonal guitars that create dissonance and large walls of sounds. Ethereal or more coincided. It Depends. It could called noise / rock noise / industrial / dark / even pop. The tracks are very different each other but I think there is a sort of thread between them even if it is completely different . Usually when i play l i record guitar loops live and then i add other line guitar in , electronic effects and some noises.

I saw you release a full-length album in this month, tell me about that. and why in vynil format?

yes. My first full length and my second album came out last month for a american label suitcase recordings. In the first moment we decided to release it in cassette but than the label told me that that he would like to release "sucker mules's dreadful murder" in vinyl format. I was really exited for his choice..

Digital or Physical Release. And why?

Absolutely physical release. For me and for what i'm used to do i prefer have with me something that i can touch. Digital releases are something that are destined to fade and to get lost in time. Usually I buy records and i download somethings but just because I need to put it in my i pod.

What the meaning about label or netlabel for you?

people that manage a label have more money, probably, and maybe they have more faithful than people that manage a net label, they don' t really " bet" on the artists because they have nothing to lose , and of course I think they are not intended to last over time, but nowadays it's all ephemeral so this is what it is.

List of instruments do you used, for recorded and live performance.

For recording i use guitars, a couple, some pedal effects, loop station, bow, e bow,audio interface and a laptop. Sometimes some object like sticks and a dildo.

Digital or Analog?

Definitely analog, but i use digital stuff as well, but old machine get me more satisfied.

Other project or future project you have?

My side project it's called "Geometrical Rape" we released our first album last November for an italian label "diazepam records", It' s a duo project with Urna. Check it out !

What your plan in 2015?

For the future i ve some new idea in mind and very soon there will be the birth of a new project with A4, an old american noise/experimental project with which we are already working on a video project. The sounds will be a little bit different from what you heard of my past projects. There will be a tape machine, guitars and bass, and probably drums ..We Will See …

Noise is?

Noise is a Phase…. post weeping phase and probably It s a kind of blind war.

Band Recomended

I dunno

Fe<Male Fou - Sucker Mule’s Dreadful Murder

Limited Edition Black Vinyl

SIDE +

Pagan Revelry

Uthero Vitreous

Backgammon

Mania

Furtive Madman

Slaving Flesh Wheel

SIDE -

Slaughterhouse Overdose

Verme

i - it grovels

ii - it trudges

iii - it's over

Sucker Mule’s Dreadful Murder

Visit:

Fe<MaleFou

SuitcaseRecording

Picture: Fe<Male Fou

FMLXPRMNT

Pandu Hidayat, Feb 22th 2015

Sunday, February 16, 2014

Spoken Word Compilation

Artists: Various

Album: Spoken Word Compilation

Genre(s): Spoken-Word/Noise/Experimental/Other
Format: Digital Release
Contents: 24 Tracks
File: MP3 320kbps
Length: 58:51

Label: Mindblasting Netlabel

Release Date: Feb15, 2014

Track Lists:

01. A Stereo Myth - Karma

02. Adit Bujbunen AlBuses Maujud - Banaspati

03. Al Muhtadi - Katakata

04. Amukredam - Sia-sia

05. Anonimbuzz - Catastrophic Catalyst Terbaca Terbata Kala Pagi Buta

06. Bali Puisi Musik - Exorcism

07. Dimas Fadhli - Busuk

08. Jurumeya - Sampah..bajinganNi

09. Kengerian - Hobi Ngeri

10. Klepto Opera - Satu Huruf Terakhir

11. Naturial - Tanda Baca

12. Palasick - Tergilas Melintas (mdae Cover)

13. Pandu Hidayat - Voice Mail Box (Phonecell&Text Manipulation 2008)

14. Sodadosa - Aletter To No One

15. Suara Rusak - Tuhan Part1

16. Suffer In Vietnam - Corruption

17. Sulur Project - Rengsa

18. The Complete Ignorance Of Personal Appearance - Ii

19. The Wirogs Dan The Curuts - Rasa Salmon Teriyaki

20. Theonugraha Feat.Jeritan - DiKala Kalian Terlelap

21. ToDie - Forgiven

22. ToDie Anxiety Suffer - On Angkringan Kr

23. v.s.o.t.b Feat. Hajiopet - Cozy 2007 For Chit Chat

24. Wedha - The Last Date With The Moon

Download Album: Spoken Word Compilation
Cover